progressive content coded or flagged as 'interlaced' to comply with broadcast standards.
#Clipwrap premiere pro manual
in the Reference Manual goes into this in more detail.Ĭ) Some HDV/DV camcorders and earlier AVCHD models recorded 24, 25 and 29.97 frame-rates in 'Progressive Segmented Frame' (PsF) format i.e. I do wonder why BMD made that a 'Studio-only' feature but that's their prerogative.ī) Not all edit and color processing needs to be 'field-based'. But that makes perfect sense (to me anyway), as:Ī) The user may prefer to deinterlace instead. Granted it's not applied automatically (by default) to interlaced imports and has to be selected in the Project Settings. Resolve supports 'field processing' throughout. If Resolve doesn't suit, look elsewhere, but don't 'cut holes in the floor boards' with begrudging, unqualified remarks. I'm not sure what Peter is referring to by that statement - perhaps he could, and should elaborate. Perhaps that's a defect that BMD is working to correct? That's a non-starter for many editors, believe it or not.
Steve Alexander wrote:I didn't realize that Resolve has trouble with interlaced footage. Presumably, despite this being a dated audio format, there are licensing issues involved? Most old links to sample clips are now long dead.Īnyone with with native m2t clips from other HDV camcorders care to test ?Īs for the lack of support for mp2 audio decoding. I'll see if I can source some other HDV camera samples to verify that. Suggests that the problem is not that Resolve doesn't support import from m2t per se - rather that it has some issue with the particular m2t formatting used in Sony HDV cameras. Resolve 15.2 would not import the Sony m2t clips, but I was surprised to find that the Canon m2t clips were imported, albeit with no audio.
not captured with an on-camera recorder (Firestore or whatever). If I recall correctly they were all tape-to-PC transfers i.e. These came from three HDV camcorders - Sony HDR-FX1, Canon XH-A1 and Canon HV30. I've just dug out some native camera HDV.m2t clips that I had archived. Steve Alexander wrote:It's a real shame Resolve doesn't support. You could also use this method for remuxing to MOV container with the mp2 audio converted to WAV, but it requires setting a bitrate for the WAV audio and the maximum is 512 kbps.
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Only thing is that the 're-muxed' mp4 file does not preserve the anamorphic flag (the FFMPEG 'remuxed' mp4 file does though) so after import into Resolve you need to go into Clip Attributes and manually set the Pixel Aspect Ratio to 'DVCPro HD'. Go back to 'Convert' window, select the custom profile, set output file (with.mp4 extension) and click 'Start': Give the custom profile a name and click 'Create' (in place of 'Save' in these screen shots, because I'd already created the profile).ħ. Set bitrate (up to 512 kbps) and sample rate as desired:Ħ. Set Video Codec to 'Keep Original Video Track':ĥ. Select 'Convert' and click 'Create A New Profile':Ĥ. Click on Convert/Save tab to open 'Convert' window. Open Convert/Save function and load the m2t file:Ģ.
Which is handy because you can do the same with the Convert/Save function in VLC Player:ġ.
Set the aac audio bitrate (-ab parameter) as desired. If you are familiar with FFMPEG, both can be easily accomplished with a single command:Ĭode: Select all ffmpeg -i :/HDV_clip_AAC_320.mp4 You need to remux ('re-wrap') the MPEG-2 stream in the m2t file to MOV (Quicktime) container and convert the audio to PCM (WAV). Unfortunately Resolve won't import m2t files, and doesn't support MP2 decoding either. I assume these Sony HDV files are in m2t format and the audio is MP2 (MPEG-1 Layer II) ?
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